ニール
海外ドラマで英語リスニング学習中
I hope that's a celebratory glass. Nice place.
I thought a lot about your offer. But I'm not gonna take it.
Oh. You're staying out of the game after all.
I am. More importantly, you should walk away from the Pascal. You won't get away with it.
Well, what about Ellen Parker?
I'll find a way.
You don't need one.
You already broke in.
I've got everything you want. It's ready for you just as soon as you get me the Pascal.
No. I'm not gonna do it.
Oh. That's a shame because right now the marshals have no idea that anyone broke in and stole this information, but I could always call them.
And what? File an eyewitness report?
No, see, I don't have to do a thing because they'll search that room and they'll find strands of your hair under the data server. And put that together with the anklet outside the building -- I think you're going away for a really long time.
strand 髪の房
You're blackmailing me?
Look, we both get what we want, Neal. You've got 24 hours. I did my part. Now you do yours.
To most people who look at a mobile, it's no more than a series of objects that move. To a few, though, it may be poetry.
Alexander Calder -- he pioneered kinetic sculpture, and Pascal pushed the envelope even further. And I wish I'd told Peter everything from the beginning.
push the envelope 既成概念の枠を超える
You couldn't have seen this coming. She set you up well.
Probable cause, my anklet putting me at the scene, DNA -- I'm not sure I'd believe me.
Probable cause 妥当な理由
It's a hole too deep to climb out of. The only other option is to keep digging.
All right, well, this is gonna be tricky. Peter will expect me to be standing right next to him the entire time.
And so you shall... Until... We give him something to chase.
All right. All right. Well, when they see that image in the monitor, they'll pursue, but they'll still be able to track your movements.
Yeah? Let them try.
Nice, Moz. Nice. All right, that will buy me some time. Next, I'll disassemble the Pascal.
disassemble ばらばらにする
The real one is exponentially larger. Getting it out is gonna be a problem.
exponentially 飛躍的に
We don't have time to plan a rooftop escape. And neither one of us can carry it out. Moz, grab that serving tray from the coffee table. All right. Critics say modern art is a series of arbitrary shapes and colors -- trash... That someone decided to call art.
critic 評論家 arbitrary 偶然による
Yes, I'm well aware of the plebeian opinion.
plebeian 庶民の
Let's prove them right.
Hey, relax. You look great.
I'm not trying to look great. I'm trying to look the part.
Diana, if you need ---
Look, I know you overheard my conversation with Abigail. I was just playing a role.
The best cons come from a place of truth.
This isn't the time, Caffrey.
If you ever want to talk -- that's all I'm saying.
Ladies and gentlemen, Abigail has arrived.
Wish me luck.
Good luck.
All right. Excellent. I checked your anklet the other day.
Did you notice I was outside the marshals' New York office?
That I did.
I didn't set foot inside that building.
No, you don't have to set foot inside a building to case it.
I'm not gonna break in, Peter.
But you were tempted.
I was. But I decided that... Your way is the best way.
Peter...
All right.
When she gains access to the back room, Diana will give her a window to make the theft.
give someone a window on への扉を開く
She makes her move, we'll move in to arrest her.
Is that it? Is there no security?
I'll be keeping my eye on you.
Sounds good to me.
All right, get ready. This is where she should make her move.
Oh, she sure did.
What are you doing?
Sorry.
I just wasn't expecting it.
I don't get it. Are we watching a date or a heist?
Peter, you need to take a look at room 2.
Get agents in that room right now! And keep an eye on Abigail!
FBI. You two guys head that way. Mike, over this way.
Peter, he's on the third floor now.
All security to the third floor. All security to the third floor.
He's back on the first floor.
What's going on?
I don't know.
Jones, any eyes on him?
Now all the cameras are jammed.
God. She got the Pascal! Spread out! Everyone on an exit!
Yes, sir.
Lock this whole place down!
All right. Move out on 42.
How the hell did this happen?
You check the roof?
It's the weakest security point on any museum.
Somebody check the roof.
Copy that.
She knew we were watching her. And while she had the perfect alibi, her accomplices took this right from under our noses. To pull this off, she had to have an inside man.
What I can tell, there were at least two accomplices.
L.E.D.s to hide their faces.
And a video jammer to black out the camera.
It doesn't explain how they got the Pascal out. Maybe it's still in the museum -- behind a false wall or disguised as a different piece of art.
Hiding in plain sight? Maybe.
So, I finished interviewing the museum staff.
Any suspects?
Not yet. We'll keep digging. But so far, they're coming up clean.
Maybe we should take a break -- just come back to it with fresh eyes.
Ah, you can go. I'm staying. I'm missing something in these videos. There's something here.
All right. See you tomorrow.
See ya.
Or there isn't something. Neal.
Quite the air of melancholy after a successful heist.
I want to get this done.
When's the exchange?
Tomorrow morning.
And the Suit?
Probably still at the office going over video. I was standing right next to him, Moz. Peter made it so I could come back to New York, and in return, I stabbed him in the back.
go over 調べる
It's just a piece of art, Neal. Weighed against finding out who killed Ellen?
weighed against 一方的に不利になる
You're right. We'll make the drop, and we'll put this behind us.
put behind 考えないようにする
Hey. Is there an update on the case or something?
Can I come in?
Please.
I'm gonna need one of those.
What's wrong?
I've been undercover a lot. This has never happened to me before.
This is about you and Abigail.
You were right. I did tell her the truth. Only I didn't know it was the truth until I started saying it.
Well, if you avoid something long enough, it has a tendency to blindside you.
tendency 傾向 blindside 不意を衝く
That's why I came here. I figured you of all people would understand.
More than you know.
It's been exciting, you know? Pretending to be single, not feeling guilty because it's part of the job.
Yeah, getting into character and then discovering... It's not really a character anymore.
I feel like I'm running in two different directions, and once I stop... I'm gonna have to face reality.
Then never stop running. I tried. And the minute you do, it's not just gonna catch up to you, it's gonna run you over.
What if you want to stop running?
You have to give something up.
Okay, thanks. So our agents confirmed eyes on Abigail. She's at the hotel. Been there all night.
And Neal?
Well, let's take a look. Well, he's still at home, according to the anklet.
Hey.
Hey.
I got your text. What's up?
Going through the video, I've tracked where everyone was throughout the heist. Black denotes FBI agents. Caffrey's green.
Not a lot of green on there.
No, there's not. Neal and I entered at the same spot here. I went one way, and then Neal...
Disappears into thin air.
Agents went all sorts of different directions, and every agent shows up on the video except Neal.
I don't get it. Why would he do it?
Abigail I.D.'d him at the museum. The only thing I can think of is that they're working together.
Yeah, but what does he get out of it?
She couldn't get the Pascal because of us. He couldn't get the marshals' crime-scene report because of his anklet.
So you think it's some kind of exchange.
All that talk about giving something up, and he was doing this all along. I was with Neal an hour ago.
You were? Why?
Christie and I broke up.
I'm sorry to hear that.
Yeah, me too.
I confided in him. I took his advice. And now I look at this, and I wonder if he meant a single damn word.
confide in 信用して打ち明ける
I'm tired of this. I've covered for him. I've fought for him. I almost lost my job because of him. If Neal did this... He's got to deliver the piece. And when he does, we will be there.